The Process

A look inside the studio process, from preparing each piece to loading and firing the kiln.

Studio, Surface, and Kiln Work

Refining the form and surface before glazing and firing.

Drawn and carved imagery is built into the surface before the final firing.

Marine imagery carries through Hiroka's collaboration pieces from carving to fired surface.

Raku firing brings quick heat changes, reduction, smoke, and crackle effects.

Wood, flame, ash, and heat all help shape the finished surface.

Careful kiln loading controls how heat and atmosphere move through each piece.

Forms are arranged with space for heat to circulate during the firing.

Sgraffito surface work for Hiroka's marine collaboration pieces.

Functional forms are refined in small groups as they move through the studio.

Handwork at the bench, where surface decisions and form details come together.

Wood firing in the anagama kiln builds surface through flame, ash, and atmosphere.

Each piece is placed to make room for heat, flame, and atmosphere to move through the kiln.